History / Year 7 / Historical Knowledge and Understanding

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Curriculum content descriptions

Contacts and conflicts within and/or with other societies, resulting in developments such as the expansion of trade, colonisation and war (such as the Peloponnesian and Persian wars) (ACDSEH037)

Elaborations
  • explaining the nature of contact with other societies (for example, the commodities that formed the trade with Egypt, Greek colonisation of the Mediterranean) and conflict (for example, the Persian Wars and the Battle of Salamis, the empire of Alexander the Great and the reach of Greek culture)
General capabilities
  • Critical and creative thinking Critical and creative thinking
  • Intercultural understanding Intercultural understanding
  • Ethical understanding Ethical understanding
ScOT terms

Ancient history,  Conflict (Human relations),  International trade,  Cultural interaction,  Invasion,  Greek history

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Victorian Heritage Database

  • TLF-IDM019871

This is a rich, interactive resource that lists Victoria’s most significant heritage: places, objects, shipwrecks and archaeological sites. It has four main sections: Introduction; Explore heritage map; Recommended tours; and Timeline browser. The Explore heritage map searches for sites and provides information and images ...

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Video

The Traditional Owners of Perth: Whadjuk country

  • TLF-IDM024937

Ever wondered what life was like for the traditional owners of Perth before the British arrived in 1829? Whadjuk [pronounced wod-JUK] Noongar Elder and ambassador Dr Noel Nannup talks about traditional Whadjuk ways of life and key cultural places in Perth, and he teaches us the Noongar words for some Perth suburbs (such ...

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Pocket Compass, Ep 5: An immigration nation

  • TLF-IDM024901

Prime Minister Malcolm Turnbull once described Australia as an 'immigration nation'. What do you think he meant by that? Do you agree? |Watch four very different people speak about their experiences as first- and second-generation migrants. What were some reasons they or their parents migrated to Australia?

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Bombs Away: The Tuggeranong Bombing Range

  • TLF-IDM020696

This site provides a collection of primary source documents, guides and information to support research on the local history of Canberra and the Australian Capital Territory. 'Bombs Away' provides a brief history of the establishment of a live bombing range within the Territory in 1940 and local opposition to its creation. ...

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Defining moments in Australian History

  • TLF-IDM021690

This extensive web-based resource examines events, people and places of profound significance to the Australian people and their personal, community and national histories. The resource includes a list of 100 'defining moments' identified by historians supported by background information, images, video and links to the ...

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Video

BTN: Aboriginal astronomy

  • TLF-IDM021612

Many ancient cultures studied the night sky, and we know this because it is reflected in some of the earliest stories we have on record. Learn about one of these stories in this video. Other than the Dreamtime stories, what other evidence might there be that the Aboriginal people studied the stars?

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Online

Archives ACT: find of the month

  • TLF-IDM021249

This topic-based collection of primary source material provides a rich and varied source of official documents, guides and background information on the civic history of Canberra and the Australian Capital Territory. Produced monthly, this eclectic collection covers topics including the history of monuments, architecture, ...

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'Gold digging in Australia 1852: bad results'

  • TLF-IDR3385

This is the first of a pair of oval watercolours, measuring 20.2 cm x 26.4 cm, painted by Samuel Thomas Gill (1818-80), a famous colonial artist. It shows two gold miners sitting dejectedly beside their mine, probably on the Victorian gold fields. Behind the men is a windlass, as well as their wheelbarrow, pick and spade. ...

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First pole on the Overland Telegraph, c1870

  • TLF-IDR3560

This is a black-and-white wood engraving of a drawing dating from about 1870 by Samuel Calvert (1828-1913). Probably set near Adelaide, South Australia, it depicts a group of men and women in mid-Victorian dress, circled around a rough-hewn telegraph pole, in a bush setting. The pole is being levered, using ropes, into ...

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Air-raid shelter in Brisbane, 1942

  • TLF-IDR8614

This black-and-white photograph shows two women and two uniformed servicemen in a backyard featuring a homemade air-raid shelter during the Second World War. The two men, Private Dick of the AIF and US soldier Tom Squires, are standing in the shelter with Anthea Dyke while Doreen Smythe is jokingly pointing a hose at them. ...

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Rainforest shield, c1890s

  • TLF-IDR6655

This is a wooden shield from the Aboriginal people of the rainforest region of north-eastern Queensland. Known as a 'rainforest shield', it is painted yellow, red, white and black using natural pigments. Collected in the 1890s, it is 96 cm long x 37 cm wide.

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Aviator William Ewart Hart's biplane, 1911

  • TLF-IDR3351

This is a 23.4 cm x 38.8 cm sepia-toned photograph of the homemade biplane of one of Australia's first aviators, William Ewart Hart (1885-1943), after its 1911 landing on the Sydney Showground, New South Wales. A crowd has gathered around the aircraft, obscuring Hart from view.

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Neck ornament, c1890s

  • TLF-IDR6686

This is an Aboriginal neck ornament from central Australia, believed to have been made in the late 1800s. It comprises two pairs of eaglehawk claws, connected with resin to a string made of human hair. The ornament is 43 cm long and 4 cm wide.

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Using a pedal wireless transmitter

  • TLF-IDR3174

This is a photograph, possibly taken by John Flynn (1880-1951) and measuring 8.2 cm x 8.2 cm, of an elderly woman seated at a pedal wireless transmitter with three girls behind her. There is no microphone but the woman is operating a morse key. The woman and one of the girls are wearing earphones. The words 'AIM Pedal Transmitter' ...

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'Panorama of Challicum, No. IV', c1850

  • TLF-IDR3258

This is a watercolour measuring 15.9 cm x 24.3 cm showing yellowed pasture backed by gum trees. A herd of cows with calves is grazing both in the foreground fields and the background timber. A small hill, part of the Challicum Hills, rises from the trees on the right. The artist, Duncan Cooper, included this painting as ...

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'Panorama of Challicum, No. IX', c1850

  • TLF-IDR3263

This is a watercolour measuring 15.7 cm x 24.3 cm showing the vast yellow-and-green Challicum plains. In the distance a flock of sheep, watched by a shepherd and dog, is moving into temporary wooden yards. Among gum trees, to the right of the yard, is the homestead. The artist, Duncan Cooper, included this painting as the ...

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Ophir gold diggings in 1851 - asset 3

  • TLF-IDR3316

This is a hand-coloured lithograph made by Thomas Balcombe (1810-61), measuring 27 cm x 47.5 cm, and based on a sketch made on the spot by J Korff. It depicts gold diggings at the confluence of Summer Hill Creek and Lewis Ponds Creek at Ophir in New South Wales. A horseman is shown approaching miners standing near the creek, ...

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Stone axes and picks, early 1900s

  • TLF-IDR6695

This is an image showing six stone axes and picks made by people of the Warumungu and Tjingali groups near Tennant Creek in central Northern Territory. On average, the axes are 50 cm long and 20 cm wide, while the picks are 40 cm long and 25 cm wide.

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Rock painting, Carnarvon Gorge, 1938 - item 1 of 2

  • TLF-IDR9209

This sepia photograph of an Indigenous rock painting shows several stencilled hands and what appear to be boomerangs. In some of the images three fingers and thumb are prominent and in the central image the little finger is bent. The images appear to be well preserved. The photograph was taken in 1938 at Carnarvon Gorge ...

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Video

Torres Strait Light Infantry Battalion, c1942 - item 1 of 2

  • TLF-IDR8917

This clip from a silent black-and-white home movie shows Torres Strait Islander servicemen undertaking army training drills on Thursday Island (Weiban) during the Second World War. It opens with a long shot of barefoot uniformed men marching in formation, and passing behind a squad of stationary men. It then cuts to shots ...

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